Archive for July, 2009

Solar Eclipse: as seen from Tokyo

Wednesday, July 22nd, 2009

Today Asia witnessed a beautiful event. News stations broadcasted a total solar eclipse that could be seen from India, China, and the southern islands of Japan. The eclipse lasted in some places for over six and a half minutes, making it the longest eclipse in the 21st century. BBC World News said that the next eclipse to happen on this scale will occur again in 2132.

Although some places experienced that breathtaking darkness in the middle of the day, from Tokyo we could see the eclipse in the daylight of a cloudy sky. Some people on the streets craned their necks to try to look at the bright light, shaped like a moon. I tried taking pictures of the eclipse and found that by looking through the lens of a camera, the bright light didn’t hurt my eyes as much. Below is an image made from connecting the photos taken today.

Trip to Kamakura

Tuesday, July 21st, 2009

Today I ventured out of Tokyo to visit the traditional sights in Kamakura. From Shinjuku I took the Shonan-Shinjuku train and about 50 minutes later the Kamakura Station came into view. There was a light drizzle in the air, and despite the humidity, the cooler temperatures came as a welcome break from the hot summer days. From the train station I walked down the main street that led to the entrance of the Tsurugaoka Hachiman-gu Shinto Shrine. Upon passing through the red Torii gate, there was a wide path the led to the main shrine and many side niches. Taking a side route, I walked upon this scene: someone with a green umbrella sitting and observing the large lily plants in one of the ponds. The rainy atmosphere intensified the colors and I felt like I was stepping into a watercolor painting.

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The shrine is an important place in the city of Kamakura. Climbing up the side of a mountain, its red structure shines amongst so much green. The stairs that climb so far up are a beautiful sight and makes one feel so small.

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At the top of the climb is the main temple where one can pray to the gods. I stayed here for a while just watching the people climb to the top while holding an umbrella in the cool rain.

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Later in the day I went by local bus to visit the famous Daibutsu (Great Buddha) at the Kotoku-in Buddhist Temple. The temple is known for the large bronze statue of the Amida Buddha that is over 13 meters tall. I am told that this is the second largest Buddha in Japan, following one that can be seen in Nara. A plaque on one of the walls of the outer temple explained about the statue’s history: the Kotoku-in Buddha was cast in 1252 and originally an inner temple was built to cover it. In 1498, a tidal wave swept the temple away but left the body of the Buddha without any injury. In 1923 there was a big earthquake that destroyed the Buddha’s base, and repairs were made until 1961.

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An interesting thing about this Buddha is that visitors can walk inside the bronze structure for just 20 yen! Inside people can look at how the structure was joined together. Because the statue is so large, it was cast in 30 stages. Many molds were joined together in layers. In order to securely attach the various pieces, a method known as Ikarakuri (a type of lattice joinery) was used to build the statue from the base up. It’s amazing to think that this Buddha has been sitting here so long. I wonder what the statue has seen over so many years, and what it thinks about the current world?

Store Windows and Signs

Saturday, July 18th, 2009

One of the things I love to look at in Tokyo are the colorful displays around the city. Some of the store windows are really creative and fun to look at. This one below was for Father’s Day sales.

Another window from the same department store.

The banners hanging outside the Ginza Graphic Gallery for their Max Huber exhibition in June. The current show displays work from members of ADC (Art Directors Club), a group of talented contemporary graphic designers. If you are in the area, please go take a look!

Not only store windows, but also signs make me smile. This one in particular ( in the subway) made me smile.

The poster is part of a series of “good manner” signs that can be seen on Tokyo Metro lines. It is asking people who carry umbrellas on rainy days to please not spray other people when shaking their umbrellas (Don’t make a piston!). I really have to laugh because the thought of someone making a “piston” on the subway in such a clueless fashion is rather unthinkable.The artist of the poster is Bunpei Yorifuji and he designs a new poster each month. Check out this site to see more images!

Summer In Japan Part Two

Saturday, July 18th, 2009

It is really amazing how quickly time flies. I have been in Japan this summer for quite some time now and can’t remember how time just …sped by… My internship at threewhite has been absolutely marvelous. I’ve been learning methods of graphic design production and how to communicate visually in Japanese. My weeks at the internship have included: helping out the art director Ms. Tanaka with design work for both print and web, creating mock-ups for print projects, doing research, and meeting with clients. Please take a look at threewhite’s Work in Progress Blog to see what we are up to. I’m much better at keeping up with that blog than I am with my own.

At the beginning of my time in Japan I was really wondering how things would work out. My biggest worry has been with confidence in Japanese because I have been away from my “home” country for a long time. At the beginning of my internship, I was nervous in speaking, and worried I would say something wrong unintentionally, especially when meeting people for the first time and exchanging business cards. I’ve gotten better since then- at least a little. In the office I speak Japanese everyday, and even though I make many mistakes,  I’m getting more used to it. I started keeping a notebook with photos and notes for new vocabulary, and I take it everywhere. This has been my best decision, because now I have a bank of information whenever I need it. I write down phrases used in meetings, and words used in describing production of projects. I constantly ask “how do you say this?” or “what does that kanji mean?” and write down notes.

In the visual aspect of my internship, I’ve been working on various things like Japanese and English typography (similar, and yet different so I really have to pay attention to all the nuances), photo editing, drawing images for use in layouts, and helping out where I can. I enjoy the work, and the learning experience. Working with clients and printing companies has helped me to see design on a larger scale. At school, most of the time, I’m my own client (or my professor is), and I’m my own printer. When working with different people, you become conscious of every step you take because your work is also someone else’s work. Being able to communicate thoughts, ideas, and problems in person, and also by email, and by phone when there is no visual in front of you is challenging but also a good experience. Editing also takes much longer and is more thorough than any school project. Where a class project may take weeks, a project at work could take months and is a collaborative work; photographs, texts, image styling, illustrations, print production, graphic design and art directing are done by many different people. That’s the most exciting part of this internship for me- meeting and working with people specializing in different fields, and also learning about culture from the various clients!

Recently threewhite had a special guest come to the office- Ms. Franki Goodwin, an art director working in London. Franki has been traveling to many places like Australia and Japan this year to experience new cultures and hear stories form many people. She visited threewhite to see how people in Japan work in the design field. Tanaka-san, Franki and I exchanged stories from university times and jobs experiences. Since we all studied in different places, (Japan, America, and in the United Kingdom) we compared different teaching and learning techniques of design. It seems (from our discussion) that American and Europen schools teach design in a conceptual manner, (form following function, or form evolving from content), where Japanese schools focus more on technique and specify both form and content at the beginning of a project. An important question arose from the discussion though : how do you find the balance of structure and freedom? I’ll have to look for the answer myself little by little. I found the meeting inspiring- traveling to meet people working in design fields in different places with different circumstances sounds like a lovely idea. I would love to take a similar journey someday. What a great way to see the world! Franki is also better at blogging than I am, and shares her stories on her site. I hope she enjoys the rest of her stay in Japan!

I think this briefly sums up what I have been up to this summer. Threewhite will be on a short summer holiday this next week, and I’m hoping to use the time to explore in and around the city of Tokyo (and learn more about my own culture!). I also want to use this time to fix my computer (hopefully it won’t take too long) and start to update this site. I’m working on a cleaner and simpler look than the one that is currently up. Well, this will certainly keep me busy!

Summer In Japan

Tuesday, July 7th, 2009

I have really been out of the blogging world but today I am jumping back in! There are too many inspirations out there that I keep putting off to put up here and have not, so now is the time to change that. So what have I been doing since I last wrote?

The biggest event has been doing an internship in Tokyo with the design firm threewhite. Let me start at the beginning. Because it is very likely that I will come back to Japan to work there after my studies in the US are over, I did many searches to find a place to try this work lifestyle in Japan this summer. Though the concept of internships are rather common in the US or in Europe, in Japan, it is unfortunately not so. Eventually though, I found threewhite’s name on another blog, similar to this one and followed through to their site. The body of work impressed me right away, and I was inspired by the careful observation and the sensitivity of life’s everyday findings put into the design. I contacted threewhite, and now, many months later, I’m lucky to be here.

Since working here I’ve met many people and seen new aspects of the Japanese design world, and I want to share my experiences on this blog little by little.